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Vincent Price | ||
John Ireland | Bob Ford | |
Barbara Britton | Cynthy Waters | |
Ellen Drew | ||
Preston Foster | John Kelley | |
Gene Evans | ||
Robert Hutton | ||
Steve Brodie | ||
Vladimir Sokoloff | ||
Reed Hadley | Jesse James | |
J. Edward Bromberg | Harry Kane | |
Victor Kilian | Soapy | |
Tom Tyler | Frank James | |
Tommy Noonan | Charles Ford | |
Eddie Dunn | Joe, Silver King Bartender | |
Margia Dean | Saloon Singer | |
Samuel Fuller | ||
Byron Foulger | Silver King Room Clerk | |
Jeni Le Gon | Veronica | |
Barbara Woodell | Mrs. Zee James | |
Phillip Pine | Man in Saloon | |
Robin Short | Troubadour |
Director |
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Producer | Samuel Fuller
Carl K. Hittleman Robert L. Lippert |
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Writer | Samuel Fuller
Homer Croy Robert Gardner |
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Cinematography | Ernest Miller
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Musician | Albert Glasser
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His films have been called raw, outrageous, sensational, and daring. In four decades of directing, Samuel Fuller created a legendarily idiosyncratic oeuvre, examining U.S. history and mythmaking in westerns, film noirs, and war epics. And characteristically, it all began with a bang: after printing the legend with the elegant B-pictures I Shot Jesse James and The Baron Of Arizona, he got himself into hot water with the FBI on The Steel Helmet, the first American movie to portray the Korean War. These three independent films showed off Fuller's genre diversity, gutter wit, and subversive force, and pointed the way to a controversial career in studio moviemaking. I Shot Jesse James Fuller's directorial debut is a psychological western, excavating, with pathos and humor, the tale of Robert Ford, the member of Jesse James's gang who shot the famed outlaw in the back. The Baron Of Arizona A devilishly witty Vincent Price plays a nineteenth-century con man who sets out to commit the most epic swindle in U.S. history: to claim himself as the rightful inheritor of Arizona. The Steel Helmet With its low budget and high ambitions, Fuller's snarling Korean War film, an examination of race relations as well as a visceral plunge into battle, remains one of the director's most discussed and admired works. |
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Features
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