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Burgess Meredith | Harry Greener | |
Karen Black | Faye Greener | |
Donald Sutherland | Homer Simpson | |
William Atherton | Tod Hackett | |
Geraldine Page | Big Sister | |
Bo Hopkins | Earle Shoop | |
Pepe Serna | Miguel | |
John Hillerman | Ned Grote | |
Richard A. Dysart | Claude Estee | |
Lelia Goldoni | Mary Dove | |
Billy Barty | Abe Kusich | |
Richard Dysart | Claude Estee |
Director |
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Producer | Jerome Hellman
Sheldon Schrager |
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Writer | Waldo Salt
Nathanael West |
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Cinematography | Conrad L. Hall
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Musician | John Barry
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Nathanael West's novel about Hollywood decadence in the late '30s is a brilliant piece of filmmaking. A deeply insightful work that is powerful in its presentation, staggering in its vision. Director John Schlesinger (Midnight Cowboy, Marathon Man) is masterful in creating a world of platinum blondes, cockfights, glamour and broken dreams, and throughout, he plays on the edge of sexual and physical danger that finally erupts in the shocking climax. Oscar nominations went to Burgess Meredith and cinematographer Conrad Hall. |
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Features
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