| Cutting Edge, The - The Magic Of Editing | |||||
| Warner Bros. (2004) | |||||
| Documentary | |||||
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#3307 |
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| Kathy Bates | ||
| Zach Staenberg | ||
| Jodie Foster | Herself | |
| Michael Tronick | ||
| Anthony Minghella | ||
| James Cameron | ||
| Rob Cohen | ||
| Dede Allen | ||
| Conrad Buff IV | ||
| Donn Cambern | ||
| Jay Lash Cassidy | ||
| Richard Chew | ||
| Anne V. Coates | ||
| Chris Columbus | ||
| Quentin Tarantino | Himself | |
| Sean Penn | Himself | |
| Martin Scorsese | Himself | |
| Wes Craven | Himself | |
| Ridley Scott | Himself | |
| Thelma Schoonmaker | Herself | |
| Paul Hirsch | Himself | |
| Sally Menke | Herself |
| Director |
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| Producer | Wendy Apple
Patricia Bischetti Truusje Kushner |
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| Writer | Mark Jonathan Harris
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| Cinematography | John Bailey
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| Musician | Nic. TenBroek
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Secrets of movie magic revealed - via the craft of the film editor! Bullitt's dynamic editing, highlighted by its twisting, squealing, hill-leaping chase sequence that leaves viewers whooping and woozy, earned a 1968 Best Film Editing Oscar® and helped make the film an action classic. How do film editors work this kind of magic? This fascinating program lets you in on the secrets. "What makes a movie a movie is the editing," says Zach Staenberg, Academy Award-winning editor of the Matrix trilogy. Closeups, flashbacks, parallel action, slow motion, juxtaposition of images - these are just a few tools that make clips from Birth of a Nation to Pulp Fiction, The Battleship Potemkin to Gladiator indelible. Narrated by Kathy Bates and with interviews of a who’s who of contemporary directors and editors, The Cutting Edge: The Magic of Movie Editing is, shot for shot and frame after frame, reel magic. |
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