|
Thora Birch | Herself | |
William Black | Himself | |
Jimmy Carter | Himself | |
Congressman Elijah Cummings | Himself | |
Baron Hill | Himself | |
Marcy Kaptur | Herself | |
John McCain | Himself | |
Michael Moore | Himself | |
Sarah Palin | Herself | |
Ronald Reagan | Himself | |
Franklin Delano Roosevelt | Himself | |
Arnold Schwarzenegger | Himself | |
Wallace Shawn | Himself | |
Elizabeth Warren | Herself | |
George W. Bush | Himself |
Director |
|
||||
Producer | Michael Moore
Bob Weinstein |
||||
Writer | Michael Moore
Stu Harrison |
||||
Cinematography | Daniel Marracino
Jayme Roy |
||||
Musician | Jeff Gibbs
Bob Golden |
|
Self-anointed watchdog Michael Moore (Michael Moore) tackles the concept of capitalism in the United States by attacking Wall Street with a bullhorn and calling out executives. He posts yellow crime scene tape around the various centers of finance. Moore attempts to uncover members of Congress who have caved into the banking industry. Moore shows the American public, often victims of banking, as jilted lovers who are torn over their loyalty and their betrayal. Using a diversity of archived clips of people such as Ronald Reagan (Ronald Reagan) and Sarah Palin (Sarah Palin) as well as images of Dracula (Bela Lugosi) and Jesus (Robert Powell), he attempts to expose capitalism to the American people as a pernicious evil. |
|
|
||||||||||||||||||||||
Features
|
|||||||||||||||||||||||