| Phantom of the Opera, The | |||||
| Image Ent. (1925) | |||||
| Drama, Horror | |||||
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In Collection
#10059 |
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| Lon Chaney | Erik, The Phantom | |
| Mary Philbin | Christine Daae | |
| Norman Kerry | Vicomte Raoul de Chagny | |
| Arthur Edmund Carewe | Ledoux | |
| Gibson Gowland | Simon Buquet | |
| John St. Polis | Comte Philip de Chagny (as John Sainpolis) | |
| Snitz Edwards | Florine Papillon | |
| Mary Fabian | Carlotta (1929 re-edited version only) | |
| Virginia Pearson | Carlotta/Carlotta's Mother (1929 re-edited version) | |
| Olive Ann Alcorn | La Sorelli (uncredited) | |
| Joseph Belmont | ||
| Roy Coulson |
| Director |
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| Producer | Carl Laemmle
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| Writer | Elliott J. Clawson
Gaston Leroux Richard Wallace |
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Regarded by many as the first great horror film, and certainly the best of the silent era, the earliest version of The Phantom of the Opera stars Lon Chaney, the man of a thousand faces. Chaney is Erik, the horribly disfigured Phantom who leads a menacing existence in the catacombs and dungeons beneath the Pairs Opera. When Erik falls in love with a beautiful prima donna, he kidnaps her and holds her hostage in his lair, where he is destined to have a showdown with her fiance and the secret police. |
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