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Woody Allen | Boris Grushenko | |
George Birt | Doctor | |
Harold Gould | Anton Inbedkov | |
Tony Jay | Vladimir Maximovitch | |
Diane Keaton | Sonja | |
Alfred Lutter | ||
Georges Adet | Old Nehamkin | |
Frank Adu | Drill sergeant | |
Edmond Ardisson | Priest | |
Féodor Atkine | Mikhail Grushenko | |
Albert Augier | Waiter | |
Yves Barsacq | Rimsky | |
Lloyd Battista | Don Francisco | |
Jack Berard | Gen. Lecoq | |
Tony Jay (Voice) |
Director |
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Producer | Charles H. Joffe
Fred T. Gallo |
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Writer | Woody Allen
Mildred Cram |
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In a singularly philosophical and comic story, Boris Grushenko (Woody Allen) is a young Russian man during Russia's struggle with Napoleon. Boris is terrified of war and politically apathetic, but is nonetheless forced into the army, where he inadvertently becomes a hero. This, combined with his blossoming relationship with Sonja (Diane Keaton) leads to marriage, political activism, and a great deal of existential confusion for Boris. This all culminates in a desperate plan to assassinate Napoleon to end the war. The overall story is philosophical, but all the philosophy has an edge of humor, and the entire film becomes a parody of darker Russian works. |
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Features
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