|
Irene Dunne | Stephanie | |
Ginger Rogers | Comtesse Scharwenka | |
Claire Dodd | Sophie Teale | |
Helen Westley | Roberta / Aunt Minnie | |
Randolph Scott | John Kent | |
Fred Astaire | Huckleberry Haines | |
Victor Varconi | Prince Ladislaw | |
Luis Alberni | Alexander Petrovitch Moskovich Voyda | |
Ferdinand Munier | Lord Henry Delves | |
Torben Meyer | Albert | |
Adrian Rosley | Professor | |
Bodil Rosing | Fernande | |
Lynne Carver | Fashion model | |
Marie Osborne | Extra | |
Lucille Ball | Fashion model |
Director |
|
||||
Producer | Pandro S. Berman
|
||||
Writer | Otto Harbach
Jerome Kern Otto A. Harbach Alice Duer Miller Jane Murfin Glenn Tryon |
||||
Cinematography | Edward J. Cronjager
|
||||
Musician | Max Steiner
Jerome Kern |
|
A sparkling musical lovely to look at and delightful to know. Fun's in fashion when Fred Astaire and Ginger Rogers (plus Irene Dunn and Randolph Scott) enter the ultrachic Parisian world of high fashion in Roberta. The third Astaire/Rogers film is a silky adaptation of the 1933 Broadway hit (whose original cast included Bob Hope, Sydney Greenstreet and Fred MacMurray). It features a jaunty romantic plot, fabulous sets (the three-level saloon required the world's largest camera crane), memorable music (including Jerome Kern and Otto Harbach's Smoke Gets in Your Eyes) and above all, incomparable dance magic to match the score. "The most important moments in Roberta," Time reported, "arrive when Astaire and Rogers turn the story upside down and dance on it." Astaire may sing I Won't Dance. But his feet betray him. |
|
|
||||||||||||||||||||||||
Features
|
|||||||||||||||||||||||||